Wu Chi-Tsung (b. 1981, Taipei) graduated from the Taipei National University of the Arts in 2004 and is currently based in Taipei. His practice encompasses photography, video, installation, and experimental ink art, with a particular focus on reinterpreting traditional Asian art in contemporary contexts and on the dynamic nature of the image across technology, medium, and perception.
Grounded in temporality, materiality, and the act of viewing, his work explores how perception is formed and where the limits of sensory awareness lie. He utilized xuan paper, nineteenth-century cyanotype techniques, and contemporary methods to develop a distinctive visual language that interwines temporal structures with physical layers. Through these explorations, Wu reflects on the emergence and dissolution of images, responding to humanity’s pursuit of vision, history, and reality in the age of images.
Wu’s practice does not treat East and West, old and new, or tradition and the contemporary as opposites; rather, it moves fluidly between them, extending and transforming across their boundaries. From analogue to digital, he examines how images in a rapidly shifting environment preserve, reconstruct, or rewrite the realities they once embodied. He investigates how modes of image production shape perception and memory, focusing on the recording of light, the variations that arise through reproduction, and the reconfiguration of visual experience under technological intervention.
His work frequently explores the boundaries between reality and simulacra, memory and representation, while negotiating the tension between chance and order, nature and technology. At the same time, he takes calligraphy as a point of departure to explore the relationship between the body and brushwork, engaging traditional East Asian culture to reveal how they are reinterpreted and renewed amid the rapid transformations of the present age. Through sustained observation and experimentation, Wu continues to expand the possibilities of contemporary Asian art within a global and cross-cultural context.
Wu has received numerous awards, including the Taipei Arts Award (2003), the Award of Critics and Editors of Art Magazines at the WRO Media Art Biennale (2013), and the Liu Kuo Sung Ink Art Award (2019). He has also been shortlisted for the Artes Mundi (UK, 2006) and the Prudential Eye Awards (UK, 2015). His works are held in major public and private collections, including M+ (Hong Kong), the Asian Art Museum of San Francisco, the UCCA Center for Contemporary Art (Beijing), the UBS Art Collection, and Fidelity International.
Wu’s solo exhibitions have been presented at institutions such as the Katonah Museum of Art (USA). He has also participated in major international art fairs and platforms, including Art Basel in Basel (Unlimited sector), Art Basel Miami Beach (Meridians sector), Art Basel Hong Kong, and The ADAA Art Show (New York). His major group exhibitions include The Elegance of Silence: Contemporary Art From East Asia (Mori Art Museum, Tokyo), the Shanghai Biennale (Shanghai Art Museum, Shanghai), CAFAM Future (CAFA Art Museum, Beijing), Panorámica. Paisajes 2013–1969 (Museo del Palacio de Bellas Artes, Mexico City), Phantom of Civilization (Casino Luxembourg – Forum d’art contemporain, Luxembourg), JING SHEN – The Act of Painting in Contemporary China (PAC Padiglione d’Arte Contemporanea, Milan), and Between Warp and Weft at the 9th Hong Kong & Shenzhen Bi-City Biennale of UrbanismArchitecture (Shenzhen). He has also participated in residency programs at Künstlerhaus Bethanien (Berlin), the Asian Cultural Council (New York), and the Centre for Chinese Contemporary Art (Manchester).
吳季璁，1981 年生於台北，2004 年畢業於國立台北藝術大學，目前於台北生活與創作。他的作品橫跨攝影、錄像、裝置與實驗水墨等多個領域，關注亞洲傳統藝術在當代語境中的轉化與延續，以及影像在技術、媒材與感知之間的流動關係。以時間性、材質性與觀看經驗為核心，探討觀看的形成與感知邊界；他亦嘗試將宣紙、十九世紀西方氰版攝影技術（藍晒圖）與當代表現方法結合，發展出兼具時間結構與物理層次的視覺語言，反思影像的生成與消逝，回應人類在影像時代中對觀看、歷史與真實的追索與再思。
他的實踐不將東方與西方、新與舊、傳統與當代視為對立，而是在兩者之間游移、延伸與轉化；從類比到數位，他關注在不斷演進的時代環境中，影像如何在技術轉換之間保留、重構或改寫過去所承載的真實感。他探討影像生產如何形構觀看與記憶，聚焦於光線的記錄、影像在複製過程中的變異，以及視覺經驗在技術介入下的重構。其創作經常處理真實與擬像、記憶與再現之間的界線，並在隨機與安排、自然與技術之間展開實驗；同時，他也以書法為切入點，探究身體與筆觸的關係，承襲東亞文化的傳統，在時代快速變遷下，展現傳統文化於當代語境中的轉化與重生。藉由對感知、媒介與文化系統的持續觀察與實驗，他不斷拓展當代亞洲藝術在全球語境中的融合與跨文化的可能性。
曾獲台北美術獎、波蘭媒體藝術雙年展藝評與藝術雜誌編輯獎、劉國松水墨藝術大獎，並入選英國世界藝術獎（Artes Mundi）、英國保誠當代藝術獎（Prudential Eye Awards）。作品受多所國內外美術館典藏，包括： M+視覺文化博物館、舊金山亞洲藝術博物館、尤倫斯當代藝術中心、瑞銀集團、富達國際等機構。個展經歷包括美國卡托納美術館等，並參與瑞士巴塞爾藝術展「意象無限」單元、邁阿密海灘展會「藝匯經線」展區、香港巴塞爾藝博會、紐約ADAA藝術展等。
重要聯展包括：「寂靜的優雅：東方當代藝術展」（森美術館，東京）、「上海雙年展」（上海美術館，上海）、「CAFAM未來展」（中央美術學院美術館，北京）、「全貌風景：2013–1969國際藝術聯展」（墨西哥藝術宮，墨西哥城）、「文明幻魅」（卡西諾當代藝術中心，盧森堡）、「精神：當代中國的繪畫行為」（米蘭當代藝術展覽館，米蘭）以及第九屆深港雙城雙年展龍華分展場「經緯之間」（深圳）等。他曾駐村於貝塔寧藝術村、亞洲文化協會及英國華人當代藝術中心等地。
EDUCATION
| 2004 | BFA, Oil Painting, Department of Fine Arts, Taipei National University of the Arts, Taipei, Taiwan |
| 2025 | "Wu Chi-Tsung: Fading Origin", Sean Kelly Gallery, Los Angeles, USA |
| 2024 | "Wu Chi-Tsung: Trail to the Moon", Galerie du Monde, Taipei |
| 2023 | "Wu Chi-Tsung: Synchronicity", The Katonah Museum of Art, New York, U.S.A |
| "Wu Chi-Tsung Solo Presentation", Art Basel Basel, Unlimited Sector, Sean Kelly Gallery, Basel, Switzerland | |
| 2022 | "Wu Chi-Tsung Solo Presentation", ADAA Art Show, Sean Kelly Gallery, New York, U.S.A. |
| 2021 | "jing-atmospheres", Sean Kelly Gallery, New York, U.S.A. |
| “Seeing Through Light: Wu Chi-Tsung Solo Exhibition”, Tao Art Space, Taipei | |
| "Exposé", Galerie du Monde, Hong Kong | |
| 2019 | "Lingering in Nature", Giessen New Art Association, Giessen, Germany |
| “Echo,” Galerie du Monde at MAK7 Studio, Taipei, Taiwan | |
| 2018 | “Wu Chi-Tsung Solo Exhibition,” Art Basel in Hong Kong 2018, Galerie du Monde, Hong Kong |
| 2017 | “Far from East,” Künstlerhaus Bethanien, Berlin, Germany |
| “Inward-scape,” Galerie du Monde, Hong Kong | |
| 2014 | “Dust,” Site Gallery, Sheffield, UK |
| “Recalibrate,” Peter Scott Gallery and The Storey, Lancaster, UK | |
| 2013 | “Recalibrate,” Centre For Chinese Contemporary Art, Manchester, UK |
| 2012 | “Wu Chi-Tsung Solo Exhibition,” TKG+, Taipei, Taiwan |
| 2010 | "Wu Chi-Tsung Solo Exhibition," Art Hong Kong 2010, Chi-wen Gallery, Hong Kong |
| 2009 | “Wu Chi-Tsung Solo Exhibition - Crystal City,” IT Park, Taipei, Taiwan |
| “Wu Chi-Tsung Solo Exhibition - Still Life,” Chi-Wen Gallery, Taipei, Taiwan | |
| 2004 | “Wu Chi-Tsung Solo Exhibition,” IT Park, Taipei, Taiwan |
| 2025 | “Shadow and Void: Buddha¹⁰“， Esea contemporary, Manchester, UK |
| 2024 | "Into View: New Voices, New Stories", Asian Art Museum in San Francisco, U.S.A |
| "Living Paper", Galerie du Monde, Hong Kong | |
| 2023 | 2023 Hengshan Calligraphy Biennial, Hengshan Calligraphy Art Center, Taoyuan City, Taiwan |
| "Summoning Memories: Art Beyond Chinese Traditions", Asia Society Huston, USA | |
| “Between Warp and Weft”, the 9th Hong Kong & Shenzhen Bi-City Biennale of Urbanism\Architecture, Shenzhen, China Longhua Sub-Venue |
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| 2022 | "Buddha10: A Fragmented display on Buddhist visual evolution", Museum of Eastern Art of Turin, Italy |
| Art Basel in Basel, Basel, Switzerland | |
| "Illuminated Curiosities", Nguyen Foundation, Ho Chi Minh City, Vietnam | |
| "Reimagining: New Perspectives", the UBS Art Gallery, New York, USA | |
| 2021 | “Mediated Nature”, Santa Barbara Museum of Art, USA |
| "INK Dreams", Los Angeles County Museum of Art, USA | |
| Frieze London, London, United Kingdom | |
| Armory Show, New York, USA | |
| 2020 | "3E14", Galerie du Monde, Hong Kong |
| 2019 | Meridians, Art Basel Miami Beach, Sean Kelly Gallery, Miami, USA |
| "Light Interdiction", Kunstfest Weimar, Weimar, Germany | |
| "Abstract by Nature," Sean Kelly Gallery, New York, USA | |
| "Lightscapes: Re-envisioning the Shanshuihua," Chinese American Museum, Los Angeles, USA | |
| 2018 | Wu Chi-Tsung Residency Exhibition, MoT+++, Ho Chi Minh City, Vietnam |
| "Naturalunnatural," Tank Shanghai, Shanghai, Chian | |
| "Poetic Utterance," InArt Space, Tainan, Taiwan | |
| "Focused Movement," Double Square Gallery, Taipei, Taiwan | |
| "PRESENCE – A Window into Chinese Contemporary Art," St. George’s Hall, Liverpool, UK | |
| "Esctasies Teresa," Alte Münze, Berlin, Germany | |
| 2017 | “Oku-Noto Triennale: SUZU 2017,” Suzu, Japan |
| “Memories Interwoven and Overlapped: Post-Martial Law Era Ink Painting,” National Taiwan Museum of Fine Arts, Taichung, Taiwan | |
| “Mandala of Ink Art,” Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan | |
| “Crisscrossing East and West: The Remaking of Ink Art in Contemporary East Asia,” Museum of Contemporary Art Yinchuan, Yinchuan, China | |
| “The Urge to Create Visions,” Centre of Polish Sculpture in Orońsko, Poland | |
| 2016 | “Asia Young 36,” Jeonbuk Museum of Art, Wanju County, South Korea |
| “The Shadow Never Lies,” Minsheng 21st Century Museum, Shanghai, China | |
| "Video Art Program: Wu Chi-Tsung," Hiroshima City Museum of Contemporary Art, Hiroshima, Japan | |
| “Beyond the Frame: New Media Arts from Taiwan,” Long Beach Museum of Art, Los Angeles, USA | |
| 2015 | “Prudential Eye Awards,” ArtScience Museum, Singapore |
| “Roppongi Art Night 2015,” Roppongi Hills, Tokyo, Japan | |
| "3rd Annual Collectors’ Contemporary Collaboration - Boundless Treasures: Inexhaustible and Limitless," Hong Kong Arts Centre, Hong Kong | |
| “JING SHEN - The act of painting in contemporary China,” PAC Padiglione D’arte Contemporanea, Milan, Italy | |
| “Phantom of Civilization,” Casino Luxembourg – Forum d’art contemporain, Luxembourg | |
| 2014 | "The Other– The Distance," Hubei Museum of Art, Hubei, China; Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan |
| “Urban Perspectives – Dark City,” European House of Art in Upper Bavaria, Freising, Germany | |
| 2013 | “Everyday Life: 2013 Asian Art Biennial,” National Taiwan Museum of Fine Arts, Taichung, Taiwan |
| “Asia Cruise: Kuandu Arts Festival 2013,” Kuandu Museum of Fine Arts, Taipei, Taiwan | |
| “Meeting Point: Charwei Tsai and Chi-Tsung Wu,” Edouard Malingue Gallery, Hong Kong | |
| “Panorámica. Paisajes 2013-1969,” Museo Del Palacio De Bellas Artes, Mexico City, Mexico | |
| “15th WRO Media Art Biennale,” Wrocław, Poland | |
| 2012 | “CAFAM - Future,” Central Academy of Fine Arts (CAFA) Art Museum, Beijing, China |
| "Charwei Tsai et Wu Chi-Tsung: A l’ombre des sens," Maison Salvan, Labège, France | |
| “Boundaries on the Move: A Cross-Cultural Dialogue,” Herzliya Museum of Contemporary Art, Herzliya, Israel | |
| 2010 | “Taiwan Calling - The Phantom of Liberty, Elusive Island," Műcsarnok - Műcsarnok and Ludwig Museum, Budapest, Hungary |
| “Popping up: Revisiting the Relationship between 2D and 3D,” Hong Kong Arts Centre, Hong Kong | |
| “Ventriloquized Voices, Contemporary Art from Taiwan,” Gwangju Museum of Art, Gwangju, Korea | |
| “The Tradition of the New: Emerging Artists Group Exhibition,” Sakshi Gallery, Mumbai, India | |
| 2009 | “The Epic in the Everyday: Contemporary Video Art from Taiwan,” PAN (Palazzo Delle Arti Napoli), Naples, Italy |
| 2008 | “Our Future: The Guy & Myriam Ullens Foundation Collection,” Ullens Center for Contemporary Art (UCCA), Beijing, China |
| 2006 | “Between the Observer and the Observed,” 2006 Lianzhou International Photo Festival, Lianzhou, China |
| “Hyper Design: 6th Shanghai Biennale,” Shanghai Art Museum, Shanghai, China | |
| “Infiltration – Idylls and Visions,” Guangdong Museum of Art, Guangzhou, China | |
| “Artes Mundi,” Wales International Visual Art Prize, National Museum Cardiff, Cardiff, UK | |
| 2005 | “Experimenta Vanishing Point,” Black Box, the Arts Centre, Melbourne, Australia |
| “The Elegance of Silence: Contemporary Art From East Asia,” Mori Art Museum, Tokyo, Japan | |
| 2004 | "Tracing Self: The New Identity Part5 - Contemporary Taiwanese Art Exhibition," Mitsunishi Estate Artium, Fukuoka, Japan |
| 2003 | “City_net Asia,” Seoul Museum of Art, Seoul, Korea |
| “Simulation – The Poetics of Imaging in the Technology Age,” Hong-Gah Museum, Taipei, Taiwan | |
| “Streams of Encounter – Electronic Media Based Artworks,” Taipei Fine Arts Museum, Taipei, Taiwan |
| 2019 | Liu Kuo Sung Ink Art Award 2019, Hong Kong |
| 2015 | Shortlisted for “Prudential Eye Awards” in Installation Category, Singapore |
| 2013 | WRO Media Art Biennale - Award of Critics and Editors of Art Magazines, Wrocław, Poland |
| Grantee of Asian Cultural Council, Residency program in New York, USA | |
| 2006 | Shortlisted for “Artes Mundi” Wales International Visual Art Prize, Cardiff, UK |
| 2003 | Taipei Arts Award, Taipei, Taiwan |
| M+ Museum, Hong Kong |
| Fidelity international |
| Spencer Museum of Art, Kansas, USA |
| UBS Group AG, New York, USA |
| Asian Art Museum of San Francisco, USA |
| Asian Art Museum of San Francisco, USA |
| Santa Barbara Museum of Art, Santa Barbara, USA |
| Santa Barbara Museum of Art, Santa Barbara, USA |
| Salford University, Salford, UK |
| Museo d’Arte Orientale di Torino |
| Borusan Contemporary Art Collection, Istanbul, Turkey |
| White Rabbit Gallery, Sydney, Australia |
| Arario Museum, Seoul, Korea |
| Post Vidai Collection, Ho Chi-Minh City, Vietnam |
| Nguyen Foundation, Ho Chi-Minh City, Vietnam |
| Los Angeles County Museum of Art, Los Angeles, USA |
| UCCA Center for Contemporary Art, Beijing, China |
| Xie Zilong Photography Museum, Changsha, China |
| The Galaxy Museum of Contemporary Art, Chongqing, China |
| Hong-gah Museum, Taipei, Taiwan |
| Yu Hsiu Museum of Art, Nantou, Taiwan |
| Live Forever Foundation, Taichung, Taiwan |
| 2018 | Artist in Residence, MoT+++, Ho chi minh city, Vietnam |
| 2017 | Taiwan Ministry of Culture, Artist residency program at Kunstlerhaus Bethabien, Berlin, Germany |
| 2013 | Residency of Visual Art, Asian Cultural Council, New York, USA |
| 2012 | Artist in Residence, Maison Salvan, Labège, France |
| 2010 | Breathe Residency, Chinese Art Center, Manchester, UK |
| 2006 | The Glenfiddich Artists in Residence Programme, at Glenfiddich Distillery, Dufftown, Scotland, UK |
| Taiwan-England Artists Fellowships Programme 2006, at Site Gallery, Sheffield, UK |
| 2017 | “How Long Is Now?” by FOCA Formosa Circus Art, Théâtre La Condition des Soies, Avignon, France |
| 2016 | “How Long Is Now?” by FOCA Formosa Circus Art, Wellspring Theater, Taipei, Taiwan |
| “Panta Rhei” by WC Dance, The Metropolitan Hall, Taipei, Taiwan | |
| 2015 | “Off the map” by YiLab (SU Wen-chi), Asian Arts Theatre Opening Festival, Gwangju, Korea; La Bâtie—Festival de Genève, Swissland; Kunstenfestivaldesarts, Brussels, Belgium; Kalamata Dance Festival, Kalamata Greece |
| “Aerodynamics” by WC Dance Company, Taiwan National Theater, Taipei, Taiwan; XXVI Festival de Artes de Macau, Macau | |
| 2013 | “Small end” by WC Dance Company , Experimental Theater of Taiwan National Theater, Taipei, Taiwan |
| “Absente: rendez-vous avec Sophie Calle” by Shakespeare’s Wild Sisters Group, Avignon Off, France; The Performing Arts Center of Taipei National University of the Arts, Taipei, Taiwan | |
| 2012 | “Off the map” by YiLab (SU Wen-chi), Dancing in Autumn 2012 Taiwan National Theatre, Taipei, Taiwan |
學歷
| 2004 | 藝術學士，台北藝術大學，美術系油畫組，台北，台灣 |
| 2025 | 「吳季璁：消逝的原件」，尚凱利畫廊，洛杉磯，美國 |
| 2024 | 「吳季璁：氰山映月」，爍樂（世界畫廊），台北 |
| 2023 | 「吳季璁：SYNCHRONICITY」，卡托納美術館，紐約州，美國 |
| 「吳季璁個展」，巴塞爾藝術展「意象無限」單元 尚凱利畫廊，巴塞爾，瑞士 |
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| 2022 | 「吳季璁個展」，ADAA藝術展，尚凱利畫廊，紐約，美國 |
| 2021 | 「境」，尚凱利畫廊，紐約，美國 |
| 「照見：吳季璁個展」，Tao Art Space，台北 | |
| 「現 Exposé」，世界畫廊，香港 | |
| 2019 | 「Lingering in Nature」，基森新藝術協會，基森，德國 |
| 「東橋西照 Echo」，世界畫廊於MAK7 Studio，台北，台灣 | |
| 2018 | 「吳季璁個展」，香港巴塞爾藝博會，世界畫廊，香港 |
| 「吳季璁個展」，MoT+++，胡志明市，越南 | |
| 2017 | 「Far from East」，貝塔寧藝術村，柏林，德國 |
| 「憬」，世界畫廊，香港 | |
| 2014 | 「重新校準」，Peter Scott Gallery、The Storey，蘭開斯特，英國 |
| 「灰塵」，Site Gallery，雪菲爾，英國 | |
| 2013 | 「重新校準」，華人藝術中心，曼徹斯特，英國 |
| 2012 | 「吳季璁個展」，TKG+，台北，台灣 |
| 2010 | 「吳季璁個展」，香港藝術展，其玟畫廊，香港 |
| 2009 | 「水晶城市」，伊通公園，台北，台灣 |
| 「吳季璁個展－小品」，其玟畫廊，台北，台灣 | |
| 2004 | 「吳季璁個展」，伊通公園，台北，台灣 |
| 2025 | 「Shadow and Void: Buddha¹⁰」,ESEA當代藝術中心，曼徹斯特，英國 |
| 2024 | 「Into View: New Voices, New Stories」，舊金山亞洲藝術博物館，美國 |
| 「活紙」，世界畫廊，香港 | |
| 2023 | 橫山書藝雙年展，橫山書法藝術館，桃園市，台灣 |
| 「Summoning Memories: Art Beyond Chinese Traditions」，亞洲協會休士頓分會，美國 |
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| 第九屆深港雙城雙年展龍華分展場 「經緯之間」，深圳，中國 | |
| 2022 | 「Buddha10」，杜林東方藝術博物館，義大利 |
| 瑞士巴塞爾藝術博覽會，巴塞爾，瑞士 | |
| 「Illuminated Curiosities」，越南Nguyen藝術基金會，胡志明市，越南 | |
| 「Reimagining: New Perspectives」，瑞銀集團藝術畫廊， 紐約，美國 | |
| 2021 | 「Ink Dream」，洛杉磯郡藝術博物館，美國 |
| 「媒介化的自然」,聖塔巴巴拉美術館, 美國 | |
| 倫敦弗里茲藝術博覽會，倫敦，英國 | |
| 紐約軍械庫藝術展，紐約，美國 | |
| 2020 | 「3E14」，世界畫廊，香港 |
| 2019 | 「藝匯經線」展區，邁阿密巴塞爾海灘藝術展，尚凱利畫廊，邁阿密，美國 |
| 「光之禁區」，威瑪藝術節，威瑪，德國 | |
| 「自然抽象」，尚凱利畫廊，紐約，美國 | |
| 「光之景：山水畫的當代想像」，華美博物館，洛杉磯，美國 | |
| 2018 | 吳季璁駐村展覽，MoT+++，胡志明市，越南 |
| 「界 BEYOND PERCEPTION」，上海西岸油罐藝術中心，上海，中國 | |
| 「專注的動作」，双方藝廊，台北，台灣 | |
| 「中國當代藝術之窗」，聖喬治大廳，利物浦，英國 | |
| 2017 | 「奧能登國際藝術節」，珠洲市，日本 |
| 「記憶的交織與重疊─後解嚴臺灣水墨」，國立台灣美術館，台中，台灣 | |
| 「水墨曼陀羅」，高雄市立美術館，高雄，台灣 | |
| 「聲東擊西──東亞水墨藝術的當代再造」，銀川當代美術館，銀川，中國 | |
| 「The Urge to Create Visions」，波蘭雕塑中心，Orońsko，波蘭 | |
| 2016 | 「ASIA YOUNG 36」，全北道立美術館，完州郡，韓國 |
| 「藝次元：台灣新媒體藝術展」，長灘美術館，洛杉磯，美國 | |
| 「真實的假像」，民生現代美術館，上海，中國 | |
| 「第49屆錄像計劃：吳季璁」，廣島市現代美術館，廣島市，日本 | |
| 「第九屆深圳國際水墨雙年展」，中國深圳畫院，深圳，中國 | |
| 2015 | 「精神：當代中國的繪畫行為」，米蘭當代藝術展覽館，米蘭，義大利 |
| 「六本木藝術之夜」，六本木之丘，東京，日本 | |
| 「第三屆收藏家當代藝術藏品展－無䀆藏：大藏無䀆」，香港藝術中心，香港 | |
| 「文明幻魅」，盧森堡卡西諾當代藝術中心，盧森堡 | |
| 「保誠當代藝術獎」，藝術科學博物館，新加坡 | |
| 2014 | 「都市遠景ー黑暗城市」，上巴伐利亞歐洲藝術之家，佛萊辛，德國 |
| 「他者‧距離－兩岸當代藝術交流展」，湖北美術館，湖北，中國；高雄美術館， 高雄，台灣 | |
| 2013 | 「返常ー2013亞洲藝術雙年展」，國立台灣美術館，台中，台灣 |
| 「亞洲巡弋」，關渡美術館，臺北，台灣 | |
| 「全貌風景：2013-1969國際藝術聯展」，墨西哥藝術宮，墨西哥城，墨西哥 | |
| 「第15屆波蘭媒體藝術雙年展 」，波蘭弗羅茨瓦夫新媒體藝術中心，華沙，波蘭 | |
| 「交匯點：蔡佳葳、吳季璁香港雙人展」，馬凌畫廊，香港 | |
| 2012 | 「兩個端點2012－近東遠東」，馬格拉要塞當代藝術園區，威尼斯，義大利 |
| 「CAFAM未來展」，中央美術學院美術館，北京，中國 | |
| 「蔡佳葳、吳季璁：感官之影」， 薩凡屋，拉培基，法國 | |
| 「移動中的邊界：跨文化對話 臺灣－以色列交流展」，赫茲里亞當代美術館，以色列 | |
| 2010 | 「台灣響起－難以名狀之島／超隱自由」，布達佩斯藝術館．路德維格現代美術館，布達佩斯，匈牙利 |
| 「媒體景觀，東區」當代城市中心，利物浦，韓國文化中心，倫敦，英國 | |
| 「物料與空間的變異」，香港藝術中心，香港 | |
| 「他者測量」，台灣當代藝術展，北京索卡藝術中心，北京，中國 | |
| 「複語．腹語：台灣當代藝術展」，光州市立美術館，光州，韓國 | |
| 「新．傳統：新興藝術家聯展」，夏可喜當代藝術，孟買，印度 | |
| 2009 | 「日常的史詩：台灣當代錄像展」，那不勒斯當代藝術中心，那不勒斯，義大利 |
| 2008 | 「我們的未來：尤倫斯基金會收藏展」，尤倫斯當代藝術中心，北京，中國 |
| 2006 | 「觀察與被觀察」，第二屆連州國際攝影年展，連州，中國 |
| 「超設計」，第六屆上海雙年展，上海美術館，上海，中國 | |
| 「Artes Mundi國際當代藝術獎」，卡爾地夫國家藝廊，卡爾地夫，英國 | |
| 「第二屆當代水墨空間：滲－移景與幻想」，廣東美術館，廣州，中國 | |
| 2005 | 「實驗消失點」，維多利亞藝術中心，墨爾本，澳洲 |
| 「寂靜的優雅：東方當代藝術展」，森美術館，東京，日本 | |
| 2004 | 「追蹤自我：台灣現代美術展」，三菱地所，福岡，日本 |
| 2003 | 「亞洲城市網絡」，首爾美術館，首爾，韓國 |
| 「造境─科技年代的影像詩學」，鳳甲美術館，台北，台灣 | |
| 「靈光流匯：科技藝術展」，台北市立美術館，台北，台灣 |
| 2019 | 「劉國松水墨藝術大獎」獲獎，香港 |
| 2015 | 「保誠當代藝術獎」裝置藝術類提名，新加坡 |
| 2013 | 「WRO媒體藝術雙年展」藝評及藝術媒體編輯獎獲獎，華沙，波蘭 |
| 「亞洲文化協會（ACC）獎助計畫」，紐約，美國 | |
| 2006 | 「世界藝術獎（Artes Mundi）」提名，卡爾地夫，英國 |
| 2003 | 「台北美術獎」首獎，台北，台灣 |
| M+ 博物館，香港 |
| 富達國際 |
| UBS集團，紐約，美國 |
| 舊金山亞洲藝術博物館，美國 |
| 伍斯特藝術博物館，麻薩諸塞州，美國 |
| 洛杉磯郡藝術博物館，洛杉磯，美國 |
| 聖塔巴巴拉美術館，聖塔巴巴拉，美國 |
| 史賓塞藝術博物館，堪薩斯，美國 |
| 索爾福德大學，索爾福德，英國 |
| Borusan Contemporary Art Collection，伊斯坦堡，土耳其 |
| 白兔美術館，雪梨，澳大利亞 |
| 維羅海灘美術館，佛羅裡達，美國 |
| 杜林東方藝術博物館，杜林，意大利 |
| 阿拉里奧美術館，首爾，韓國 |
| Post Vidai Collection，胡志明市，越南 |
| Nguyen Foundation，胡志明市，越南 |
| 尤倫斯當代藝術中心，北京，中國 |
| 謝子龍影像藝術館，長沙，中國 |
| 星匯當代美術館，重慶，中國 |
| 鳳甲美術館，台北，台灣 |
| 毓繡美術館，南投，台灣 |
| 陸府基金會，台中，台灣 |
| 2018 | 駐村計畫，MoT+++，胡志明市，越南 |
| 2017 | 台灣文化部「選送文化相關人才出國駐村交流計畫」，貝塔寧藝術村（Kunstlerhaus Bethanien），柏林，德國 |
| 2013 | 視覺藝術駐村計畫，亞洲文化協會，紐約，美國 |
| 2012 | 駐村計畫，薩凡屋，拉培基，法國 |
| 2010 | 華人藝術中心，曼徹斯特，英國 |
| 2006 | 格蘭菲迪藝術家留駐計劃，格蘭菲迪酒廠，達夫敦，蘇格蘭，英國 |
| 台灣－英國藝術家獎學金企劃，Site畫廊，謝菲爾德，英國 |
| 2017 | FOCA福爾摩沙馬戲團「一瞬之光 How Long Is Now?」，絲品劇院，亞維儂，法國 |
| 2016 | FOCA福爾摩沙馬戲團「一瞬之光 How Long Is Now?」，水源劇場，台北，台灣 |
| 林文中舞團「流變 PANTA RHEI」，臺北市藝文推廣處城市舞台，臺北，台灣 | |
| 2015 | 一當代「身體輿圖」, 韓國光州亞洲劇場節、瑞士拉帕蒂－日內瓦藝術節、希臘卡拉瑪塔舞蹈節、比利時布魯塞爾藝術節 |
| 林文中舞團「空氣動力學」，第26屆澳門藝術節，澳門、國家戲劇院，台北，台灣 | |
| 2013 | 莎士比亞的妹妹們的劇團「不在，致蘇菲卡爾」，法國外亞維儂藝術節，亞維儂，法國、台北藝術大學戲劇廳，台北， |
| 2012 | 一當代「身體輿圖」, 國家戲劇院，台北，台灣 |