Wu Chi-Tsung (b. 1981, Taipei) graduated from the Taipei National University of the Arts in 2004 and is currently based in Taipei. His practice encompasses photography, video, installation, and experimental ink art, with a particular focus on reinterpreting traditional Asian art in contemporary contexts and on the dynamic nature of the image across technology, medium, and perception.
Grounded in temporality, materiality, and the act of viewing, his work explores how perception is formed and where the limits of sensory awareness lie. He utilized xuan paper, nineteenth-century cyanotype techniques, and contemporary methods to develop a distinctive visual language that interwines temporal structures with physical layers. Through these explorations, Wu reflects on the emergence and dissolution of images, responding to humanity’s pursuit of vision, history, and reality in the age of images.
Wu’s practice does not treat East and West, old and new, or tradition and the contemporary as opposites; rather, it moves fluidly between them, extending and transforming across their boundaries. From analogue to digital, he examines how images in a rapidly shifting environment preserve, reconstruct, or rewrite the realities they once embodied. He investigates how modes of image production shape perception and memory, focusing on the recording of light, the variations that arise through reproduction, and the reconfiguration of visual experience under technological intervention.
His work frequently explores the boundaries between reality and simulacra, memory and representation, while negotiating the tension between chance and order, nature and technology. At the same time, he takes calligraphy as a point of departure to explore the relationship between the body and brushwork, engaging traditional East Asian culture to reveal how they are reinterpreted and renewed amid the rapid transformations of the present age. Through sustained observation and experimentation, Wu continues to expand the possibilities of contemporary Asian art within a global and cross-cultural context.
Wu has received numerous awards, including the Taipei Arts Award (2003), the Award of Critics and Editors of Art Magazines at the WRO Media Art Biennale (2013), and the Liu Kuo Sung Ink Art Award (2019). He has also been shortlisted for the Artes Mundi (UK, 2006) and the Prudential Eye Awards (UK, 2015). His works are held in major public and private collections, including M+ (Hong Kong), the Asian Art Museum of San Francisco, the UCCA Center for Contemporary Art (Beijing), the UBS Art Collection, and Fidelity International.
Wu’s solo exhibitions have been presented at institutions such as the Katonah Museum of Art (USA). He has also participated in major international art fairs and platforms, including Art Basel in Basel (Unlimited sector), Art Basel Miami Beach (Meridians sector), Art Basel Hong Kong, and The ADAA Art Show (New York). His major group exhibitions include The Elegance of Silence: Contemporary Art From East Asia (Mori Art Museum, Tokyo), the Shanghai Biennale (Shanghai Art Museum, Shanghai), CAFAM Future (CAFA Art Museum, Beijing), Panorámica. Paisajes 2013–1969 (Museo del Palacio de Bellas Artes, Mexico City), Phantom of Civilization (Casino Luxembourg – Forum d’art contemporain, Luxembourg), JING SHEN – The Act of Painting in Contemporary China (PAC Padiglione d’Arte Contemporanea, Milan), and Between Warp and Weft at the 9th Hong Kong & Shenzhen Bi-City Biennale of UrbanismArchitecture (Shenzhen). He has also participated in residency programs at Künstlerhaus Bethanien (Berlin), the Asian Cultural Council (New York), and the Centre for Chinese Contemporary Art (Manchester).
吳季璁，1981 年生於台北，2004 年畢業於國立台北藝術大學，目前於台北生活與創作。他的作品橫跨攝影、錄像、裝置與實驗水墨等多個領域，關注亞洲傳統藝術在當代語境中的轉化與延續，以及影像在技術、媒材與感知之間的流動關係。以時間性、材質性與觀看經驗為核心，探討觀看的形成與感知邊界；他亦嘗試將宣紙、十九世紀西方氰版攝影技術（藍晒圖）與當代表現方法結合，發展出兼具時間結構與物理層次的視覺語言，反思影像的生成與消逝，回應人類在影像時代中對觀看、歷史與真實的追索與再思。
他的實踐不將東方與西方、新與舊、傳統與當代視為對立，而是在兩者之間游移、延伸與轉化；從類比到數位，他關注在不斷演進的時代環境中，影像如何在技術轉換之間保留、重構或改寫過去所承載的真實感。他探討影像生產如何形構觀看與記憶，聚焦於光線的記錄、影像在複製過程中的變異，以及視覺經驗在技術介入下的重構。其創作經常處理真實與擬像、記憶與再現之間的界線，並在隨機與安排、自然與技術之間展開實驗；同時，他也以書法為切入點，探究身體與筆觸的關係，承襲東亞文化的傳統，在時代快速變遷下，展現傳統文化於當代語境中的轉化與重生。藉由對感知、媒介與文化系統的持續觀察與實驗，他不斷拓展當代亞洲藝術在全球語境中的融合與跨文化的可能性。
曾獲台北美術獎、波蘭媒體藝術雙年展藝評與藝術雜誌編輯獎、劉國松水墨藝術大獎，並入選英國世界藝術獎（Artes Mundi）、英國保誠當代藝術獎（Prudential Eye Awards）。作品受多所國內外美術館典藏，包括： M+視覺文化博物館、舊金山亞洲藝術博物館、尤倫斯當代藝術中心、瑞銀集團、富達國際等機構。個展經歷包括美國卡托納美術館等，並參與瑞士巴塞爾藝術展「意象無限」單元、邁阿密海灘展會「藝匯經線」展區、香港巴塞爾藝博會、紐約ADAA藝術展等。
重要聯展包括：「寂靜的優雅：東方當代藝術展」（森美術館，東京）、「上海雙年展」（上海美術館，上海）、「CAFAM未來展」（中央美術學院美術館，北京）、「全貌風景：2013–1969國際藝術聯展」（墨西哥藝術宮，墨西哥城）、「文明幻魅」（卡西諾當代藝術中心，盧森堡）、「精神：當代中國的繪畫行為」（米蘭當代藝術展覽館，米蘭）以及第九屆深港雙城雙年展龍華分展場「經緯之間」（深圳）等。他曾駐村於貝塔寧藝術村、亞洲文化協會及英國華人當代藝術中心等地。
中文 |
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EDUCATION
| 2004 | BFA, Oil Painting, Department of Fine Arts, Taipei National University of the Arts, Taipei, Taiwan |
SELECTED SOLO EXHIBITIONS
| 2025 | "Wu Chi-Tsung: Fading Origin", Sean Kelly Gallery, Los Angeles, USA |
| 2024 | "Wu Chi-Tsung: Trail to the Moon", Galerie du Monde, Taipei |
| 2023 | "Wu Chi-Tsung: Synchronicity", The Katonah Museum of Art, New York, U.S.A |
| "Wu Chi-Tsung Solo Presentation", Art Basel Basel, Unlimited Sector, Sean Kelly Gallery, Basel, Switzerland |
| 2022 | "Wu Chi-Tsung Solo Presentation", ADAA Art Show, Sean Kelly Gallery, New York, U.S.A. |
| 2021 | "jing-atmospheres", Sean Kelly Gallery, New York, U.S.A. |
| “Seeing Through Light: Wu Chi-Tsung Solo Exhibition”, Tao Art Space, Taipei |
| "Exposé", Galerie du Monde, Hong Kong |
| 2019 | "Lingering in Nature", Giessen New Art Association, Giessen, Germany |
| “Echo,” Galerie du Monde at MAK7 Studio, Taipei, Taiwan |
| 2018 | “Wu Chi-Tsung Solo Exhibition,” Art Basel in Hong Kong 2018, Galerie du Monde, Hong Kong |
| “Wu Chi-Tsung Solo Exhibition,” MoT+++, Ho Chi Minh City, Vietnam |
| 2017 | “Far from East,” Künstlerhaus Bethanien, Berlin, Germany |
| “Inward-scape,” Galerie du Monde, Hong Kong |
| 2014 | “Dust,” Site Gallery, Sheffield, UK |
| “Recalibrate,” Peter Scott Gallery and The Storey, Lancaster, UK |
| 2013 | “Recalibrate,” Centre For Chinese Contemporary Art, Manchester, UK |
| 2012 | “Wu Chi-Tsung Solo Exhibition,” TKG+, Taipei, Taiwan |
| 2010 | "Wu Chi-Tsung Solo Exhibition," Art Hong Kong 2010, Chi-wen Gallery, Hong Kong |
| 2009 | “Wu Chi-Tsung Solo Exhibition - Crystal City,” IT Park, Taipei, Taiwan |
| “Wu Chi-Tsung Solo Exhibition - Still Life,” Chi-Wen Gallery, Taipei, Taiwan |
| 2004 | “Wu Chi-Tsung Solo Exhibition,” IT Park, Taipei, Taiwan |
SELECTED GROUP EXHIBITIONS
| 2026 | “Black Myth”, White Rabbit Gallery, Sydney, Australia |
| Art Basel in Basel, Sean Kelly Gallery, Messe Basel, Switzerland |
| Art Basel Hong Kong, gdm, Convention & Exhibition Center, Hong Kong |
| Zona Maco, Sean Kelly Gallery, Centro Citibanamex, Mexico City, Mexico |
| 2025 | “In the Interstice of Light”, Taipei Astronomical Museum, Taipei, Taiwan |
| Art Basel Miami Beach, Miami Beach Convention Center, U.S.A. |
| “In the Blink of an Eye”, Noor Riyadh, Saudi Arabia |
| Westbund Shanghai, gdm, Shanghai, China |
| “Frieze Seoul”, COEX, Seoul, South Korea |
| Aspen Art Fair, Aspen, Colorado, U.S.A. |
| “Faktura / Tektonika”, Sean Kelly, New York, USA |
| TEFAF New York 2025, New York, U.S.A. |
| Taipei Dangdai 2025, gdm, Taipei Nangang Exhibition Center, Taiwan |
| “ME Contemporary Collection Exhibition – As Well As”, New Age Art Gallery, Taichung, Taiwan |
| Art Basel Hong Kong, gdm, Convention & Exhibition Center, Hong Kong |
| “Shadow and Void: Buddha¹⁰”, Esea contemporary, Manchester, UK |
| 2024 | Art Basel Miami Beach, Miami Beach Convention Center, U.S.A. |
| Westbund Shanghai, Galerie du Monde, Shanghai, China |
| Art Basel in Basel, Sean Kelly Gallery, Messe Basel, Switzerland |
| TEFAF New York 2024, New York, U.S.A. |
| Taipei Dangdai, Galerie du Monde, Taipei Nangang Exhibition Center, Taiwan |
| Art Basel Hong Kong, Galerie du Monde, Convention & Exhibition Center, Hong Kong |
| TEFAF Maastricht, Maastricht, Amsterdam, Netherlands |
| “Into View: New Voices, New Stories”, Asian Art Museum in San Francisco, U.S.A |
| “Living Paper”, Galerie du Monde, Hong Kong |
| 2023 | Art Basel Miami Beach, Miami Beach Convention Center, U.S.A. |
| Tokyo Gendai, Galerie du Monde, Pacifico Yokohama, Tokyo, Japan |
| Art Basel, Sean Kelly Gallery, Messe Basel, Switzerland |
| Art Basel Unlimited, Sean Kelly Gallery, Messe Basel, Switzerland |
| Taipei Dangdai, Galerie du Monde, Taipei Nangang Exhibition Center, Taiwan |
| Art Basel Hong Kong, Galerie du Monde, Convention & Exhibition Center, Hong Kong |
| “Summoning Memories: Art Beyond Chinese Traditions”, Asia Society Texas, Huston, USA |
| Hengshan Calligraphy Biennial, Hengshan Calligraphy Art Center, Taoyuan City, Taiwan |
| Art SG, Galerie du Monde, Marina Bay Sands Expo and Convention Center, Singapore |
| “Between Warp and Weft”, the 9th Hong Kong & Shenzhen Bi-City Biennale of Urbanism\Architecture (Longhua Sub-Venue), Shenzhen, China |
| 2022 | Art Basel Miami Beach, Miami Beach Convention Center, U.S.A. |
| ADAA The Art Show, New York, U.S.A. |
| Frieze London, London, UK |
| “Buddha10: A Fragmented display on Buddhist visual evolution”, Museum of Eastern Art of Turin, Italy |
| The Armory Show, Javits Center, New York, U.S.A. |
| Art Basel in Basel, Sean Kelly Gallery, Messe Basel, Switzerland |
| “Illuminated Curiosities”, Nguyen Foundation, Ho Chi Minh City, Vietnam |
| Art Basel Hong Kong, Galerie du Monde, Convention & Exhibition Center, Hong Kong |
| Taipei Dangdai, Galerie du Monde, Taipei World Trade Center, Taiwan |
| Frieze Los Angeles 2022, Beverly Hills, CA, U.S.A. |
| “Reimagining: New Perspectives”, the UBS Art Gallery, New York, USA |
| 2021 | “Mediated Nature”, Santa Barbara Museum of Art, USA |
| Frieze London, London, United Kingdom |
| “INK Dreams”, Los Angeles County Museum of Art, USA |
| Armory Show, New York, USA |
| Art Basel Hong Kong, Galerie du Monde, Convention & Exhibition Center, Hong Kong |
| Frieze New York, The Shed, New York, U.S.A. |
| 2020 | Art Basel Miami OVR |
| "BEFORE / AFTER", Frieze Viewing Room 2020 |
| “3E14”, Galerie du Monde, Hong Kong |
| Taipei Dangdai, Galerie du Monde, Taipei Nangang Exhibition Center, Taiwan |
| 2019 | Meridians, Art Basel Miami Beach, Sean Kelly Gallery, Miami, USA |
| Ink Asia, Galerie du Monde, Hong Kong Convention and Exhibition Centre, Hong Kong |
| Photofairs, Sean Kelly Gallery, Shanghai Exhibition Center, Shanghai, China |
| “Light Interdiction”, Kunstfest Weimar, Weimar, Germany |
| “Abstract by Nature”, Sean Kelly Gallery, New York, USA |
| Photo London, UP Gallery, Somerset House, London, UK |
| Art Basel Hong Kong, Galerie du Monde, Convention & Exhibition Center, Hong Kong |
| “Lightscapes: Re-envisioning the Shanshuihua”, Chinese American Museum, Los Angeles, USA |
| Taipei Dangdai Art Fair, Galerie Du Monde, Taipei, Taiwan |
| 2018 | Wu Chi-Tsung Residency Exhibition, MoT+++, Ho Chi Minh City, Vietnam |
| “Naturalunnatural”, Tank Shanghai, Shanghai, China |
| “Poetic Utterance”, InArt Space, Tainan, Taiwan |
| “Focused Movement”, Double Square Gallery, Taipei, Taiwan |
| “Esctasies Teresa”, Alte Münze, Berlin, Germany |
| “PRESENCE – A Window into Chinese Contemporary Art”, St. George’s Hall, Liverpool, UK |
| 2017 | “The Light Between The Mountain and The Sea”, Tamsui Customs Wharf, New Taipei City, Taiwan |
| Art Shenzhen, Galerie du Monde, Shenzhen Convention and Exhibition Center, Shenzhen, China |
| “Wisdom and Nature”, Le Ciel Foundation and Phillips, London, UK; Paris, France; New York, USA |
| “Oku-Noto Triennale: SUZU 2017”, Suzu, Japan |
| “Memories Interwoven and Overlapped: Post-Martial Law Era Ink Painting”, National Taiwan Museum of Fine Arts, Taichung, Taiwan |
| “Mandala of Ink Art”, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan |
| “Crisscrossing East and West: The Remaking of Ink Art in Contemporary East Asia”, Museum of Contemporary Art Yinchuan, Yinchuan, China |
| “The Urge to Create Visions”, Centre of Polish Sculpture in Orońsko, Poland |
| 2016 | “Asia Young 36”, Jeonbuk Museum of Art, Wanju County, South Korea |
| “The Shadow Never Lies”, Minsheng 21st Century Museum, Shanghai, China |
| “Video Art Program: Wu Chi-Tsung”, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan |
| “Beyond the Frame: New Media Arts from Taiwan”, Long Beach Museum of Art, Los Angeles, USA |
| The 9th International Ink Art Biennale of Shenzhen, Shenzhen, China |
| 2015 | “Prudential Eye Awards”, ArtScience Museum, Singapore |
| “Roppongi Art Night 2015”, Roppongi Hills, Tokyo, Japan |
| “3rd Annual Collectors’ Contemporary Collaboration - Boundless Treasures: Inexhaustible and Limitless”, Hong Kong Arts Centre, Hong Kong |
| “JING SHEN - The act of painting in contemporary China”, PAC Padiglione D’arte Contemporanea, Milan, Italy |
| “Phantom of Civilization”, Casino Luxembourg – Forum d’art contemporain, Luxembourg |
| 2014 | “The Other—The Distance”, Hubei Museum of Art, Hubei, China; Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan |
| “Urban Perspectives – Dark City”, European House of Art in Upper Bavaria, Freising, Germany |
| 2013 | “Everyday Life: 2013 Asian Art Biennial”, National Taiwan Museum of Fine Arts, Taichung, Taiwan |
| “Asia Cruise: Kuandu Arts Festival 2013”, Kuandu Museum of Fine Arts, Taipei, Taiwan |
| “Meeting Point: Charwei Tsai and Chi-Tsung Wu”, Edouard Malingue Gallery, Hong Kong |
| “Panorámica. Paisajes 2013-1969”, Museo Del Palacio De Bellas Artes, Mexico City, Mexico |
| “15th WRO Media Art Biennale”, Wrocław, Poland |
| 2012 | “Near East Far East 2 Points 2012”, Forte Marghera Parco del Contemporaneo in Venice, Venice, Italy |
| “CAFAM - Future”, Central Academy of Fine Arts (CAFA) Art Museum, Beijing, China |
| “Charwei Tsai et Wu Chi-Tsung: A l’ombre des sens”, Maison Salvan, Labège, France |
| “Boundaries on the Move: A Cross-Cultural Dialogue”, Herzliya Museum of Contemporary Art, Herzliya, Israel |
| 2010 | “Taiwan Calling - The Phantom of Liberty, Elusive Island”, Műcsarnok - Műcsarnok and Ludwig Museum, Budapest, Hungary |
| “Media Landscape, Zone East”, Contemporary Urban Centre (CUC), Liverpool, & Korean Cultural Center (KCC) London, UK |
| “Popping up: Revisiting the Relationship between 2D and 3D”, Hong Kong Arts Centre, Hong Kong |
| “Measurement of the Other－Contemporary Art from Taiwan”, Soka Art Center Beijing, Beijing, China |
| “Ventriloquized Voices, Contemporary Art from Taiwan”, Gwangju Museum of Art, Gwangju, Korea |
| “The Tradition of the New: Emerging Artists Group Exhibition”, Sakshi Gallery, Mumbai, India |
| 2009 | “The Epic in the Everyday: Contemporary Video Art from Taiwan”, PAN (Palazzo Delle Arti Napoli), Naples, Italy |
| 2008 | “Our Future: The Guy & Myriam Ullens Foundation Collection”, Ullens Center for Contemporary Art (UCCA), Beijing, China |
| 2006 | “Between the Observer and the Observed”, 2006 Lianzhou International Photo Festival, Lianzhou, China |
| “Hyper Design: 6th Shanghai Biennale”, Shanghai Art Museum, Shanghai, China |
| “Infiltration – Idylls and Visions”, Guangdong Museum of Art, Guangzhou, China |
| “Artes Mundi”, Wales International Visual Art Prize, National Museum Cardiff, Cardiff, UK |
| 2005 | “Experimenta Vanishing Point”, Black Box, the Arts Centre, Melbourne, Australia |
| “The Elegance of Silence: Contemporary Art From East Asia”, Mori Art Museum, Tokyo, Japan |
| 2004 | “Tracing Self: The New Identity Part5 - Contemporary Taiwanese Art Exhibition”, Mitsubishi Estate Artium, Fukuoka, Japan |
| 2003 | “City_net Asia”, Seoul Museum of Art, Seoul, Korea |
| “Simulation – The Poetics of Imaging in the Technology Age”, Hong-Gah Museum, Taipei, Taiwan |
| “Streams of Encounter – Electronic Media Based Artworks”, Taipei Fine Arts Museum, Taipei, Taiwan |
COLLECTIONS
Cantor Arts Center, Stanford University, Stanford,
USA |
| M+ Museum, Hong Kong |
| Fidelity international |
| UBS Group AG, New York, USA |
| Asian Art Museum of San Francisco, USA |
| Worcester Art Museum, Massachusetts, USA |
| Los Angeles County Museum of Art, Los Angeles, USA |
| Santa Barbara Museum of Art, Santa Barbara, USA |
| Spencer Museum of Art, Kansas, USA |
| Salford University, Salford, UK |
| Borusan Contemporary Art Collection, Istanbul, Turkey |
| White Rabbit Gallery, Sydney, Australia |
| Vero Beach Museum of Art, Florida, USA |
| Utah Museum of Fine Arts, Salt Lake City, USA |
| Museo d’Arte Orientale di Torino, Turin, Italy |
| Arario Museum, Seoul, Korea |
| Post Vidai Collection, Ho Chi-Minh City, Vietnam |
Nguyen Foundation, Ho Chi-Minh City, Vietnam
|
| UCCA Center for Contemporary Art, Beijing, China |
Xie Zilong Photography Museum, Changsha, China
|
The Galaxy Museum of Contemporary Art, Chongqing, China
|
Hong-gah Museum, Taipei, Taiwan
|
Yu Hsiu Museum of Art, Nantou, Taiwan
|
Live Forever Foundation, Taichung, Taiwan
|
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AWARDS & GRANTS
| 2019 | First Liu Kuo Sung Ink Art Award 2019, Hong Kong |
| 2015 | Shortlisted for “Prudential Eye Awards” in Installation Category, Singapore |
| 2013 | WRO Media Art Biennale - Award of Critics and Editors of Art Magazines, Wrocław, Poland |
| Grantee of Asian Cultural Council, Residency program in New York, USA |
| 2006 | Shortlisted for “Artes Mundi” Wales International Visual Art Prize, Cardiff, UK |
| 2003 | Taipei Arts Award, Taipei, Taiwan |
RESIDENCIES
| 2026 | Visiting Artist Residency, Anderson Ranch Arts Center, Colorado, USA |
| 2018 | Artist in Residence, MoT+++, Ho chi minh city, Vietnam |
| 2017 | Taiwan Ministry of Culture, Artist residency program at Kunstlerhaus Bethabien, Berlin, Germany |
| 2013 | Residency of Visual Art, Asian Cultural Council, New York, USA |
| 2012 | Artist in Residence, Maison Salvan, Labège, France |
| 2010 | Breathe Residency, Chinese Art Center, Manchester, UK |
| 2006 | The Glenfiddich Artists in Residence Programme, Glenfiddich Distillery, Dufftown, Scotland, UK |
| Taiwan-England Artists Fellowships Programme 2006, at Site Gallery, Sheffield, UK |
SET DESIGN
| 2017 | “How Long Is Now?” by FOCA Formosa Circus Art, Théâtre La Condition des Soies, Avignon, France |
| 2016 | “How Long Is Now?” by FOCA Formosa Circus Art, Wellspring Theater, Taipei, Taiwan |
| “Panta Rhei” by WC Dance, The Metropolitan Hall, Taipei, Taiwan |
| 2015 | “Off the map” by YiLab (SU Wen-chi), Asian Arts Theatre Opening Festival, Gwangju, Korea; La Bâtie—Festival de Genève, Swissland; Kunstenfestivaldesarts, Brussels, Belgium; Kalamata Dance Festival, Kalamata Greece |
| “Aerodynamics” by WC Dance Company, Taiwan National Theater, Taipei, Taiwan; XXVI Festival de Artes de Macau, Macau |
| 2013 | “Small end” by WC Dance Company , Experimental Theater of Taiwan National Theater, Taipei, Taiwan |
| “Absente: rendez-vous avec Sophie Calle” by Shakespeare’s Wild Sisters Group, Avignon Off, France; The Performing Arts Center of Taipei National University of the Arts, Taipei, Taiwan |
| 2012 | “Off the map” by YiLab (SU Wen-chi), Dancing in Autumn 2012 Taiwan National Theatre, Taipei, Taiwan |
中文 |
English
學歷
| 2004 | 藝術學士，台北藝術大學，美術系油畫組，台北，台灣 |
個展節錄
聯展節錄
典藏紀錄
| 史丹佛大學坎托藝術中心，加州，美國 |
M+ 博物館，香港
|
富達國際
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UBS集團，紐約，美國
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舊金山亞洲藝術博物館，加州，美國
|
| 伍斯特藝術博物館，麻薩諸塞州，美國 |
| 洛杉磯郡藝術博物館，洛杉磯，美國 |
| 聖塔巴巴拉美術館，聖塔巴巴拉，美國 |
史賓塞藝術博物館，堪薩斯，美國
|
| 維羅海灘藝術博物館，佛羅里達州，美國 |
| 猶他創作藝術博物館，猶他州，美國 |
| Peter Scott Gallery，蘭卡斯特，英國 |
索爾福德大學，索爾福德，英國
|
Borusan Contemporary Art Collection，伊斯坦堡，土耳其
|
白兔美術館，雪梨，澳大利亞
|
| 維羅海灘美術館，佛羅裡達，美國 |
| 杜林東方藝術博物館，杜林，意大利 |
阿拉里奧美術館，首爾，韓國
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Post Vidai Collection，胡志明市，越南
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Nguyen Foundation，胡志明市，越南
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尤倫斯當代藝術中心，北京，中國
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謝子龍影像藝術館，長沙，中國
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星匯當代美術館，重慶，中國
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鳳甲美術館，台北，台灣
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毓繡美術館，南投，台灣
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陸府基金會，台中，台灣
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獲獎
駐村
| 2026 | 駐村計畫，安德森牧場藝術中心，科羅拉多州，美國 |
| 2018 | 駐村計畫，MoT+++，胡志明市，越南 |
| 2017 | 台灣文化部「選送文化相關人才出國駐村交流計畫」，貝塔寧藝術村（Kunstlerhaus Bethanien），柏林，德國 |
| 2013 | 視覺藝術駐村計畫，亞洲文化協會，紐約，美國 |
| 2012 | 駐村計畫，薩凡屋，拉培基，法國 |
| 2010 | 華人藝術中心，曼徹斯特，英國 |
| 2006 | 格蘭菲迪藝術家留駐計劃，格蘭菲迪酒廠，達夫敦，蘇格蘭，英國 |
| 台灣－英國藝術家獎學金企劃，Site畫廊，謝菲爾德，英國 |
舞台設計
| 2017 | FOCA福爾摩沙馬戲團「一瞬之光 How Long Is Now?」，絲品劇院，亞維儂，法國 |
| 2016 | FOCA福爾摩沙馬戲團「一瞬之光 How Long Is Now?」，水源劇場，台北，台灣 |
| 林文中舞團「流變 PANTA RHEI」，臺北市藝文推廣處城市舞台，臺北，台灣 |
| 2015 | 一當代「身體輿圖」，韓國光州亞洲劇場節、瑞士拉帕蒂－日內瓦藝術節、比利時布魯塞爾藝術節、希臘卡拉瑪塔舞蹈節 |
| 林文中舞團「空氣動力學」，第26屆澳門藝術節，澳門、國家戲劇院，台北，台灣 |
| 2013 | 林文中舞團「小 ‧ 結」，國家兩廳院實驗劇場，台北，台灣 |
| 莎士比亞的妹妹們的劇團「不在，致蘇菲卡爾」，法國外亞維儂藝術節，亞維儂，法國、台北藝術大學戲劇廳，台北，台灣 |
| 2012 | 一當代「身體輿圖」，國家戲劇院，台北，台灣 |
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