gdm (Galerie du Monde) | Booth E07
Dates: May 9 – 12, 2024
Venue: Taipei Nangang Exhibition Center

This week, new works of the Cyano-Collage Series will be showcased at the Taipei Dangdai Art Fair, represented by gdm (Galerie du Monde). Recalling the traditional cyanotype photographic technique, the artist treats xuan paper with a photosensitive coating, then crumples the sheets by hand, creating wrinkles and folds before exposing them to sunlight. From the resulting dozens of textured papers with varied tonalities, he assembles and layers the fragments to construct landscapes that resemble rocky terrains with peaks shrouded in mist, snow, and rushing water, evoking the aesthetic of Eastern ink paintings . For the artist, it’s all about experimentation.

“Most artists have a strong ego. We try to control our work. But the more you try to control it, the more likely you are to lose the possibility. Sometimes, we should just let it go. Let the work grow in the way it should,” Chi-Tsung has said.

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爍樂（世界畫廊） ｜ E07展位
日期: 2024年5月9日 – 12日
地址: 台北南港展覽館

本週，《氰山集》系列新作將於台北當代藝術博覽會爍樂（世界畫廊）展位呈現。作品創造性地應用傳統的氰版攝影技術，藝術家將感光藥劑塗布於宣紙，再將紙張揉成皺褶，令其曝曬於陽光下，從而產生數十張質地和色調各異的紙張，最後，再將這些紙張拼接層疊，構建出類似奇峰或滄海的景觀，同時呼應了東方的書畫傳統。對藝術家而言，一切都是關於實驗。

「大多數藝術家都有強烈的自我，試圖控制作品。但你越試圖控制，就越令作品失去可能性。有時候我們應該學會放手，讓作品以應有的方式成長，」吳季璁說。