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Wrinkled Texture 113

Wrinkled Texture Series At Asia Society Texas’ Ongoing Exhibition
《皴法習作》於亞洲協會德州中心展出

Summoning Memories: Art Beyond Chinese TraditionsExhibition Period February 10, 2023 – July 2, 2023Venue 1370 Southmore Blvd. Houston, TX Wrinkled Texture 113 is featured in Asia Society Huston’s recent group exhibition “Summoning Memories: Art Beyond Chinese Traditions”. Curated by guest curator Dr. Susan L. Beningson, the exhibition highlights works by over 30 contemporary artists of Chinese descent who reinterpret traditions in dynamic and innovative ways.  Across painting, sculpture, and photography, these works were created by both established and emerging artists of different generations who use experimentation to draw on both Eastern and Western art-making practices and materials.The Asia Society’s is a global non-profit organization whose purpose is to navigate shared futures for Asia and the world across policy, arts and culture, education, sustainability, business, and technology. Curator Susan L. Beningson stated, In his Cyano-Collage series, Wu Chi-Tsung explores the essence of Chinese ink landscape painting, moving beyond the brush to utilize innovative new materials and techniques. To create these evocative landscapes, Wu prepares layers of cyanotype photographic papers, a method used since the mid-1800s. He treats the xuan paper, the material used in traditional Chinese ink landscapes, with a photosensitive coating. The multiple pieces of paper are crumpled, exposed to sunlight, and then mounted into collaged images that resemble the craggy mountain peaks of traditional Chinese ink shan shui (mountain and water) landscape painting – thus creating ink landscapes without the ink. Wu replaces the traditional materials of ink and brush with experimental photography in order to reinvent the process. Wu has said that his landscapes resist any fixed reading: “They could be anything, because they are not representing any real landscape. This is the spirit of a Chinese landscape.. The best works always come from some kind of coincidence… Most artists have a strong ego. We try to control our work. But the more you try to control it, the more likely you lose the possibility. Let the work grow in the way it should.” 召喚記憶:超越傳統的中國當代藝術日期  2023年2月10日至7月2日地點 1370 Southmore Blvd. Houston, TX 《皴法習作113》正於亞洲協會休士頓分會最近的群展《召喚記憶:超越中國傳統的藝術》中展出。本展由客座策展人Susan L. Beningson博士策劃,集中呈現了三十餘位華裔藝術家的當代藝術作品。作品涵蓋繪畫、雕塑、攝影等類別,均實驗著結合東方與西方的藝術傳統與材料,以創新的方式重新詮釋著傳統。亞洲協會總部位於紐約,是美國一個非牟利組織,創辦宗旨是向世界傳播亞洲文化。 策展人Susan L. Beningson介紹道,「在《氰山集》系列中,吳季璁探索了中國水墨山水畫的本質,運用創新的材料和技術超越了傳統筆觸。為了創造這些意境深遠的山水畫,他使用光敏劑處理宣紙,這是傳統中國水墨山水畫所使用的材料。這些宣紙被揉皺,曝露在陽光下,然後拼貼成山峰嶙峋的山水圖像,與傳統中國水墨山水畫頗為神似。吳季璁用實驗攝影取代了傳統的墨水和筆觸,他不用墨水便創造出了水墨山水對傳統書畫進行了當代的重新詮釋。藝術家表示,他的山水畫抵抗任何固定的解讀『它們可以是任何東西,因為它們不代表任何真實的風景。這就是中國山水畫的精神。最好的作品總是來自某種隨機性…大多數藝術家都有很強的自我。我們試圖控制自己的作品。但是你越想控制它,你就越有可能失去可能性。讓作品按照它應有的方式成長』。」  

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crystal city

New Crystal City at The 9th Hong Kong & Shenzhen Bi-City Biennale of Urbanism\Architecture (Shenzhen) Longhua Sub-Venue
《水晶城市》於第九屆深港雙城雙年展龍華分展場

The 9th Hong Kong & Shenzhen Bi-City Biennale of Urbanism\Architecture (Shenzhen)Longhua Sub-Venue “Between Warp and Weft” Exhibition Period: 30 December 2022 – 30 March 2023 Venue: Dalang Fashion Town, Shenzhen Longhua District Wu Chi-Tsung is invited to participate in The 9th Hong Kong & Shenzhen Bi-City Biennale of Urbanism\Architecture (Shenzhen) at Longhua Sub-Venue, titled “Between Warp and Weft”. Founded in 2005, the biennale aims to build a communication platform for international art scenes in Shenzhen and Hong Kong. The Longhua Sub-Venue is curated by Yang Yong and Ji Harou, a series of workshops, forums, screenings and thematic exhibitions will be organized in responding to the theme of sustainability.  The work is constructed of numerous transparent plastic boxes whose shadows resemble geometrical skyscrapers when a moving light casted on. The ordinary materials used in this artwork remind viewers of the realistic world; however, it leads people to a further imaginary scene. Chi-Tsung introduces, “there is another invisible world in which we live every day. It is made up of electronic equipment, programs, networks, media and information, and I call it ‘Crystal City’… It is becoming our new spiritual home in the contemporary world” 第九屆深港雙城雙年展龍華分展場  —「經緯之間」 展覽日期:2022年12月30日至2023年3月30日 地點:深圳市龍華區大浪時尚小鎮 第九屆深港城市 \ 建築雙城雙年展(深圳)龍華分展場「經緯之間」展期由即日至2023年3月30日,藝術家吳季璁獲邀參與展覽。創立自2005年,雙年展旨在為深圳及香港兩地提供平台,以當代視覺文化呈現及探討全球普遍存在的城市問題。本屆雙年展的龍華分展場由楊勇及紀浩如策展,三個月的展期將聯動多個時尚集團舉辦多場文化藝術活動,包括工作坊、行走、共創、論壇、放映、快閃、企業館主題展覽等,呼應可持續的概念,製造沉浸式的藝術現場體驗,通過展覽搭建起城市與公眾之間的溝通橋樑。 作品由若干透明的塑膠盒子組成,在移動光源的照射下,其投影仿若城市中的摩天大樓。在這裡,塑膠盒廉價的工業材料提示著現實世界,而投影的世界則將人帶入想像的疆界。季璁介紹稱,「有另一個不可見的世界,但我們每日生活其中,它是由電子設備、程式、網絡、媒體、訊息所構築,我稱之為《水晶城市》⋯⋯那裡是我們精神的寓所。」  

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